Find hot beat making programs for the Beat thang virtual drum machine, this drum machine works and feels just like an MPC drum machine. Beat Thang Drum Machine
Yeah I hear about all the ppl on myspace that sell beats but these ppl or shady charaters with there music, they might sell it to you and you’ll hear the next person bangin the beat you just paid for. Need somebody thats no B.S.
There are sevearl websites to get rap beats from online. If you want to make your own beats, try the sonic producer software program or the Beat Thang Drum Machine.
MAKE RAP BEATS
HOW TO CREATE A GOOD SOUNDING BEAT USING A BEAT MAKER – THIS IS EASIER THAN YOU THINK
Bottom line is that your beat maker should and must be able to do whatever you want it to do. To make a good beat with your beat maker is now easier than it use to be, since almost all of the tools for making beats now come with a cheaper interface multi-track sequencer with a mp3 transfer option. There is a beat maker where you can create your beats a convert it into a mp3 format in minutes called the Sonic Producer. When a person begins to ask what does it takes for them to make a good beat using a beat maker, there’s actually no such thing as giving a simple answer.
HOW TO MAKE YOUR OWN RAP BEATS?
There are many things that you can do to help bring your music to the next level and here are some tips to help you do so. When creating music its important that you possess attentive listening, so you can make quality sounding beats which is the general consensus from the best Hip Hop producers in the industry.
SIMPLE STEPS IN MAKING A HIP HOP BEAT
We guarantee that layering will surely make your beat sound better. The most important things that you need to know about when creating a melody are the major and minor notes or scales. To make your drum beats hit hard, you mustn’t use “pity pat” free kits that you download from the net. You have to layer your beat with some toms, cowbells, symbols, or layer your beat with any instrument that you want to use. Since most beat makers cannot play the keys, they have a difficult time trying to create their melodies. Many websites will not accept your 320kbps beats since that file size is just too big. Formatting your beat means formatting the intro, the chorus, the verse, the bridge, etc, and that is all there is to when formatting a beat.
HOW TO MAKE HIP HOP BEATS USING HIP HOP BEATS MAKING SOFTWARE?
With beat making software, you too can create professional sounding music just like the ones that you hear from the radio and on your CDs. There is an additional bonus to having beat making software where as you can easily edit the beats and track your changes as you move on with your recording.
TIPS ON HOW TO BUY INSTRUMENTAL BEATS SOFTWARE ONLINE
While a mix does not necessarily have to sound perfect in that instant, since a sound engineer will then have to make the final changes when you actually mix your own vocals into the beat making software, however you should make sure that the beat is clean and that it is not too muddy or even crowded. We all know, that there’s a lot of hungry scammers out there making instrumental beats.
MAKE BEATS JUST LIKE A PRO
A keyboard or a synth workstations is just one of the hardware that you can choose to make your beats on. Another great tool for making beats is called Acid Pro. A synth workstations basically mimics a piano keys which helps you to make your beats.
WHAT SOFTWARE TO USE IF YOU WANT TO LEARN HOW TO MAKE YOUR OWN RAP BEATS
Many user enjoys using the Motif ES8 Yamaha board since it produces a uniquely wide range of sounds which is known as the most used rap beat making machine in the world today. The Roland’s MV8800 is a amazing sampling machine that takes samplings to a new height.
THE BEST AND MOST POPULAR SOFTWARE ONLINE
The Fruity Loops software is great for beginners due to its affordable rate and its easy to use functions.
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Let me say straight off the high hat that creativity & copyright law do not make instant bedfellows! Within beat rap there is a tendency to sample, which is both quick & easy, versus “copyright ownership” highly focused on what may constitute theft. The discussion can veer between litigation on the one hand and ignorance on the other. The basic problem is how to objectively measure how much of the remixed song “borrows” from the original.
One of the current stumbling blocks to licensing copyright (and thus incentive to copy without paying) is administrative overhead and cost. Recording licenses can be obtained at a flat fee normally ranging from $100 to over $10,000. This is countered by royalties to recording owners of between 0.5 cents and 3 cents per track sold. 15% of the original new work’s musical composition copyright might be assigned to the original author, and if extensive looping and reuse is employed, up to 66% may be allocated.
Non paying sampling artists have two current defense strategies that they can deploy: de minimis and fair use. De minimis is the most commonly used defense as it claims that the re-use is basically trivial and therefore does not amount to infringement. The definition of “trivial use” is normally very vague and courts can resort to using ordinary lay listeners in an attempt to untangle the issue! Fair use on the other hand can employ open parody using the justification of “social purpose” based on intended criticism or commentary.
If you really want to circumnavigate the whole copyright issue and can read music AND you are feeling the funk then Public Domain Music may be worth a look. Who knows, maybe you get an IDEA from this? Any composition (not sound recording) copyrighted before 1922 in the USA may be used without limitation. Unfortunately there is no “international copyright” so you will have to delve into your local copyright laws if outside the US.
All of this of course distracts from the intended aim of being creative. Admittedly legality only really gets in the way of creativity when enough money is involved! If you sample Pink Floyd and then distribute it widely then the chances of litigation go up. Everything should be based on an idea (the thing that makes you go) in the first place. If you add sounds later that alter your original framework or concept then that’s just the way things go!
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Snare Drum
Good snare sounds are essential for a good beat. You should ideally place a mic a little above front edge of the drum facing downwards at a 45 to 65 degree angle. You can move the mic further away from the drum head to get a little less low end sound. Make sure that you are not getting a “bleed through” from the high hat or cymbals. If you record the snares separately, it will be easy to EQ them at the mixing stage. Before you start recording, listen through headphones to make sure that the snares are sounding right. If you hear a ringing sound, cover the top head of the drum with tape to cut down on the ring.
Bass Drum
To record the bass drum, you should use a mic made to record low end frequencies. You can try placing the mic halfway inside the drum and muffle ringing sound with a pillow inside the drum. Again, keep listening through the headphones to make adjustments. The mic should be pointed towards the beater and away from the snare drum.
Toms
Recording toms also requires a good bass mic that can record low frequencies. You can place the mic a few inches above the outer rim of the drum. You can experiment with the distance to get the sound you want, the further the mic from the source, the more roomy the sound. You can point the mic downwards at a 40 to 60 degree angle and away from the audience. To give a flowing feel to the drums, you can try panning the toms on the left to the left side of the mix and those on the right to the right side.
Cymbals
It is tough to record cymbals in a home studio. You have to record them in stereo with two mics, one over the left cymbal and one over the right cymbal. You should use mics of high quality. If you have only one mic, then you should place it in the center. You should ideally place the two mics quite far apart, roughly about three times their distance from the cymbals. It works out fine if you place the mic not too far from the cymbal.
Room mics
If you are getting good sounds in the your room, you can try capturing them with a room mic. You will have to experiment to find out the best place to set it up. You can place it in one of the room corners, in front or behind the drum kit. Just make sure that it is quite far from the drum kit, or you will end up with phasing problems. One more tip to keep in mind while recording beats is that since you are recording a range of sounds, make sure you don’t record too hot or you will end up overloading your preamp and causing digital distortion!
Visit this website for more information – http://www.musicproducerpro.net
Good Luck
Jay Bailey
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